Collections by CraftersOur collections bring together women crafters from across Europe working with ceramics, textiles, jewellery, and object making. Behind each piece is a person, a material, and a way of working shaped through time, skill, and care. We believe that supporting independent craft means strengthening communities, preserving knowledge, and creating closer connections to the things we choose to live with.
Oleksandra Samokhina
Oleksandra Samokhina is a ceramic artist originally from central Ukraine and the founder of Niwa Ceramics, a studio based in Poznań, Poland. Our selection includes Oleksandra’s handmade ceramic lamps and vases, each shaped through this intuitive and tactile process. Their sculptural forms and textured surfaces highlight the natural variations of clay and the traces of the maker’s hand.
Location
Poland
Practice
Ceramics
Handmade in Poznan, Poland by Oleksandra Samokhina of Niwa Ceramics, this vase is built by hand using the coiling technique in red stoneware clay. Its rounded form is framed by two textured handles, with details that recall loops and ornamental textile patterns. Layers of crystal glaze in ash green and milky white settle across the surface, following the contours of the hand sculpted clay.
Handmade in Poznan, Poland by Oleksandra Samokhina of Niwa Ceramics, this vase is a hand built vessel made from high fire red stoneware clay and finished with a decorative glaze. Its rounded body and oversized loop handles reference the proportions of traditional amphora forms, while the hammered surface preserves the marks of the making process. Layers of metallic grey, silver and deep purple glaze create variation across the clay.
Handmade in Poznan, Poland by Oleksandra Samokhina of Niwa Ceramics, this lamp is made from red stoneware clay and finished with a glossy glaze in deep rust, reddish brown and amber tones. The glaze gathers across the undulating surface, highlighting the irregularities of the hand formed clay. A glass lampshade completes the piece, bringing together its sculptural ceramic body and functional form.
Handmade in Poznan, Poland by Oleksandra Samokhina of Niwa Ceramics, this vase is built using the coiling technique in high fire red stoneware clay. Its surface is covered with layers of milky white glaze marked by earthy brown and rust coloured spots that gather and run across the form. The variation in glaze and the irregular surface make each area of the piece distinct.
Natália Otrubová
Natália Otrubová is a textile crafter based in Finland, originally from Bratislava. With a background in product and industrial design, her practice has gradually moved towards textiles, particularly weaving, where she explores the relationship between material, function, and the handmade process.
Location
Finland
Practice
Weaving
Handwoven set of two placemats made by Natalia Otrubová in Helsinki using repurposed yarns. The woven construction combines jute and cotton and is finished with a short fringe along the edges. Each set is handmade, allowing slight variations in size.
Handwoven set of two placemats made by Natalia Otrubová in Helsinki using repurposed yarns. Woven in a checkered pattern, the piece combines jute and cotton and is finished with a 4 cm fringe. Each piece is handmade, allowing slight variations in size.
Handwoven set of four coasters made by Natalia Otrubová in Helsinki using repurposed yarns. The woven construction combines jute and cotton, finished with a short fringe along the edges. Each set is handmade, allowing slight variations in size.
Handmade linen eye mask by Natalia Otrubová in Helsinki, filled with dried lavender flowers grown in her garden and flax seeds. The flax seeds add weight to the mask, helping it fit against the face.
Anna Leoni Klas
Anna Leoni Klas is a multidisciplinary artist based in Ammersee, Germany. Her practice brings together ceramics, textile design, creative writing, and gilding, with a focus on sculptural ceramics, tableware, and vases. Her work is shaped by collected materials, research, and an intuitive response to the landscape.
Location
Ammersee, Germany
Practice
Ceramics
A mystical vessel containing a library of collected materials, hours of research, and walks through Amsterdam and the countryside of the Ammersee region (DE). First hand thrown in grey stoneware and later sculpted with objects found along the way. Glazed with numerous materials, including mussel shells, eggshells, different types of glass, clay from the polders of Amsterdam, ashes, and sand.
The vessel is a unique piece, made by the artist Anna Leoni Klas. It is part of the research for her work “From Beneath the Roots of a Tree”, which has been exhibited across Europe.
A capsule of traces from Ærø (DK), a small island in the Baltic Sea. First hand thrown in light stoneware and later sculpted and deformed with objects found on the shoreline. The structure holds imprints of shells, branches, bones, and scribbles by the artist, acting like a ceramic map. Glazed with seaweed ashes, shells, and clay foraged on Ærø. The vessel is a unique piece, made by artist Anna Leoni Klas during a stay on the island.
Hand thrown in recycled stoneware by Anna Leoni Klas. Crafted with an eye for detail, each piece is carefully made by hand in her little countryside studio. Beautifully coated in a dusky blue with a satin finish.
Hand thrown in recycled stoneware by Anna Leoni Klas. Crafted with an eye for detail, each piece is fully handmade in her little countryside studio. Two unique bowls coated in an organic and soft colour palette. Price is per piece.
Emily Sinclair
Emily Rose Sinclair is a potter based in South London and the founder of Studio ERS. Her practice combines handbuilding and wheel throwing, with a particular focus on objects connected to two of her great loves: food and flowers. Her collection includes vases, plates, platters, and snack dishes, each designed with a balance of function and form.
Location
South London, UK
Practice
Pottery
Handcrafted by Emily Sinclair in London, the Jug Vase is coiled in white stoneware and finished with a Noriko glaze. Designed for flowers, its sculptural form also makes it a versatile piece for serving wine.
Handcrafted by Emily Sinclair in London, the Soup Vase is handbuilt in white stoneware with a hand carved outline. Inspired by her grandmother’s vintage ceramic soup tureen, it is finished with a Noriko glaze.
Handcrafted by Emily Sinclair in London, the Candlestick Holder is wheel thrown in white stoneware and trimmed into three tiers, inspired by the forms of chess pieces. Finished with a transparent and Noriko glaze, it is designed to hold a 2cm candle.
Handcrafted by Emily Sinclair in London, the Wavy Vase is handbuilt in white stoneware and finished with a matt pale blue glaze. Its wavy form can be displayed individually or stacked alongside other vases, creating different arrangements.
Esther Lara
Esther Lara is a visual artist and ceramicist from Barcelona. Working across painting, ceramics, and illustration, her practice explores the human experience through expressive forms, where figures and animals reveal vulnerability, instinct, and imagination. Guided by an interest in dreams and mysticism, she creates pieces that feel both intimate and symbolic. Her collection includes ceramic candleholders, jewellery boxes, and vases made in her Barcelona studio.
Location
Barcelona, Spain
Practice
Ceramics, painting and illustration
Handbuilt in white chamotte stoneware, this horse is finished with a white matte glaze and hand painted details in red iron, and fired at 1250ºC. Created to illuminate the path ahead, its form holds a quiet sense of guidance and intention, offering a grounded presence along the journey.
Handbuilt in white chamotte stoneware, this horse is finished with a brown matte glaze and hand painted details, and fired at 1250ºC. Created to illuminate the path ahead, its form holds a quiet sense of guidance and intention, offering a grounded presence along the journey.
Handbuilt in toffee stoneware, this horse is finished with a metallized glaze and hand painted details, and fired at 1250ºC. Created to illuminate the path ahead, its form holds a quiet sense of guidance and intention, offering a grounded presence along the journey.
Handbuilt in white chamotte stoneware, this horse is finished with a toasted matte glaze and hand painted details in red iron, and fired at 1250ºC. Created to illuminate the path ahead, its form holds a quiet sense of guidance and intention, offering a grounded presence along the journey.
Handbuilt in toffee stoneware, the Liebres Box is a sculptural composition of two hares and a box, each piece fired at 1250º. Details are crafted using a wax-resist technique and finished with two matte glazes, while the glazed interior makes it ideal for storing meaningful objects.
Handbuilt in white stoneware, the Comunidad Vase is a small temple formed around four human figures, each hand painted with chalk crayons and finished with a glossy clear glaze. Fired at 1250º, its unglazed interior makes it ideal for decorative display. The piece invites reflection on the beauty of our bonds with one another.
Hand-built in stoneware and finished with a soft blue matte glaze, this piece was crafted in Girona as a thoughtful expression of emotion and intention. Carefully shaped and fired at 1250º, it reflects themes of dreams, mysticism, and the unseen, encouraging a quiet moment of reflection.
Hand-built in stoneware and finished with a soft blue matte glaze, this piece was crafted in Girona as a thoughtful expression of emotion and intention. Carefully shaped and fired at 1250º, it reflects themes of dreams, mysticism, and the unseen, encouraging a quiet moment of reflection.
Lou Thomas
Lou Thomas is a ceramic artist based in Marseille. Her practice is shaped by a lifelong relationship with clay and by her travels through Japan, Mexico, and Morocco, where she developed a deep respect for traditional craftsmanship. After working with clay from childhood, she dedicated herself fully to ceramics in 2018, founding Simoneloo Ceramics.
From her studio near the port of Marseille, Lou creates pieces inspired by techniques discovered through her travels. Her collaborations with chefs bring another dimension to her practice, creating a dialogue between two artisans and exploring the relationship between functional form and sensory experience.
Location
Marseille, France
Practice
Ceramics
Handbuilt using the coiling technique, the Spiral Pitcher is made by Lou Thomas in her Marseille studio. Crafted in red stoneware with a glossy transparent glaze inside and left unglazed outside, the piece highlights the raw, earthy texture of the clay. Functional form inspired by various techniques discovered around the world.
Handbuilt using the coiling technique, the Mexican Pitcher is made by Lou Thomas in her Marseille studio. Crafted in red stoneware with a glossy transparent glaze inside and left unglazed outside, the piece balances a generous volume with the tactile honesty of the clay. Functional form inspired by various techniques discovered around the world.
Handbuilt using the coiling technique, the Petit Oiseau is made by Lou Thomas in her Marseille studio. Crafted in black stoneware with a glossy transparent glaze inside and left unglazed outside, the piece is a compact, characterful form that highlights the dark, textured grain of the clay. Functional form inspired by various techniques discovered around the world.
Handbuilt using the coiling technique, the Mexican Series Vase is made by Lou Thomas in her Marseille studio. Crafted in beige stoneware with a glossy transparent glaze inside and left unglazed outside, the piece explores the intersection of traditional hand-building and contemporary silhouette. Sculptural form inspired by various techniques discovered around the world.
Handbuilt using the coiling and pinching techniques, the Japanese cup medium is made by Lou Thomas in her Marseille studio. Crafted in beige stoneware and finished with a matte white glaze, it balances a clean aesthetic with the unique, organic texture of hand-pinched clay. Functional form inspired by various techniques discovered around the world.
Handbuilt using the pinching technique, the Textured cup is made by Lou Thomas in her Marseille studio. Crafted in light red stoneware, the exterior is left to showcase the raw grain and surface variations of the material. Functional form inspired by various techniques discovered around the world.
Handbuilt using the pinching technique, the Ice cream bowl is made by Lou Thomas in her Marseille studio. Crafted in red stoneware, the piece highlights the tactile, rhythmic marks of the maker's hands. Functional form inspired by various techniques discovered around the world.
Handbuilt using the pinching technique, the Polka dot cup is made by Lou Thomas in her Marseille studio. Crafted in red stoneware with a transparent glaze, the piece celebrates the natural warmth and spotting of the fired clay. Functional form inspired by various techniques discovered around the world.
Handbuilt using the pinching technique, the Textured cup is made by Lou Thomas in her Marseille studio. Crafted in light red stoneware, the exterior is left to showcase the raw grain and surface variations of the material. Functional form inspired by various techniques discovered around the world.
Handbuilt using the coiling technique, L’étoile de mer is made by Lou Thomas in her Marseille studio. Crafted in beige stoneware with a glossy transparent glaze inside and left unglazed outside. The perforated surface and relief detailing reference organic marine structures. Sculptural form inspired by various techniques discovered around the world.
Handbuilt using the coiling technique, L’algue is made by Lou Thomas in her Marseille studio. Crafted in beige stoneware with a glossy transparent glaze inside and left unglazed outside, this significant sculptural work reflects the organic lines of the Mediterranean coastline. Large-scale form inspired by various techniques discovered around the world.
Handbuilt using the coiling technique, La mer is a sculptural work made by Lou Thomas in her Marseille studio. Crafted in unglazed beige stoneware, the silhouette and raw texture reference the movement of the Mediterranean tide. A sculptural form inspired by various techniques discovered around the world.
Benedetta Ficarelli
Benedetta Ficarelli is a ceramic and textile artist based in Hackney, London, whose practice moves between clay, fibre, and light. Guided by an interest in rhythm, repetition, and material behaviour, her work explores how objects shape the atmosphere and feeling of a space. Working across ceramics, textiles, and lighting, she creates pieces where sculptural forms meet softness, texture, and everyday function. Her collection includes handmade lamps crafted from stoneware, woven materials, natural dyes, and hand sewn textiles, each designed to bring warmth, rhythm, and quiet presence into interior spaces.
Location
London, UK
Practice
Ceramics, textiles and lighting
Made by Titta Benedetta in Hackney London the Banquito Lamp is hand built in vulcan black stoneware and shaped with a compact sculptural presence. Paired with a pleated lampshade it brings together a solid ceramic form and a gentle diffused light. Made to order.
The Bicho Lamp features a three legged black lava stoneware base supporting a spherical glass shade. Its form explores the relationship between sculpture and everyday function. Made to order.
The Radici Lamp combines an open ceramic base with a spherical glass shade. Available in black lava stoneware or finished with a brick red glaze, it explores the relationship between structure, material, and light.
Hand built in black lava stoneware, the Torre Lamp pairs a sculptural ceramic base with a spherical glass shade. Its architectural form brings together clay, glass, and light in a functional object designed for the home.
Made by Benedetta Ficarelli in Hackney London the Trama Lamp is crafted in keuper red stoneware with a checkered rattan base that introduces a clear structural rhythm. The hand sewn natural cotton lampshade adds a simple steady light that complements the woven foundation. Made to order.
Made by Benedetta Ficarelli in Hackney London the Rosita Lamp is formed in stoneware and matched with a naturally dyed pink lampshade. The combination of clay and plant based colour gives the piece a straightforward yet warm presence. Made to order.
The Rayo Frame reimagines the traditional picture frame through ceramic. Its radiating form extends beyond function, becoming part of the object it displays.
Made by Benedetta Ficarelli in Hackney London the Lumea Lamp 1 pairs an oat glazed stoneware base with a pleated lampshade. A one of a kind piece with a clear functional presence. Made to order.
Elsa Claesen
Elsa Claesen is a ceramic artist from the Netherlands based on the Silver Coast of Portugal and the founder of Studio Elsa. Working primarily with hand built ceramics, her practice explores colour, organic forms, and the relationship between material, touch, and objects.
Her work brings together raw clay, vibrant glazes, and organic forms, resulting in pieces that balance material expression with function. Our selection includes hand built vases and wall hooks made in her Portuguese studio.
Location
Santa Catarina, Portugal
Practice
Ceramics
Hand built in stoneware by Elsa Claesen in Santa Catarina, Portugal, the Wall Hook Freeform Brown combines functionality with sculptural form through its irregular shape and warm brown finish. Designed for hanging bags, textiles, or other objects, it can also stand alone as a piece of wall art. The piece reflects Elsa’s playful approach to ceramics and her interest in creating handmade forms for domestic spaces.
Hand built in stoneware by Elsa Claesen in Santa Catarina, Portugal, the Wall Hook Freeform Brown combines functionality with sculptural form through its irregular shape and warm brown finish. Designed for hanging bags, textiles, or other objects, it can also stand alone as a piece of wall art. The piece reflects Elsa’s playful approach to ceramics and her interest in creating handmade forms for domestic spaces.
Hand built in stoneware by Elsa Claesen in Santa Catarina, Portugal, the Wall Hook Freeform · 2 Hooks combines functionality with sculptural form through its irregular shape and warm nude finish. Designed for everyday use, whether hanging bags, textiles, or other objects, or simply standing alone as a piece of wall art, the piece reflects Elsa’s playful approach to ceramics and interest in creating handmade forms for daily spaces.
Hand built in stoneware by Elsa Claesen in Santa Catarina, Portugal, the Wall Hook Freeform · 3 Hooks combines functionality with sculptural form through its irregular shape and warm nude finish. Designed for everyday use, whether hanging bags, textiles, or other objects, or simply standing alone as a piece of wall art, the piece reflects Elsa’s playful approach to ceramics and interest in creating handmade forms for daily spaces.
Handcrafted from stoneware by Elsa Claesen in Santa Catarina, Portugal, the Wall Hook Single Yellow combines a tactile surface with a matt soft blue finish. Designed to hold up to 2.5 kg, its simple form can be used for hanging bags, scarves, towels, keys, jewellery, and other small objects.
Handcrafted from stoneware by Elsa Claesen in Santa Catarina, Portugal, the Wall Hook Single Blue combines a tactile surface with a matt soft blue finish. Designed to hold up to 2.5 kg, its simple form can be used for hanging bags, scarves, towels, keys, jewellery, and other small objects.
Hand built in warm brown stoneware by Elsa Claesen in Santa Catarina, Portugal, Vase No. 1 Magma embraces sculptural form through its irregular, undulating silhouette, where no two angles look the same. Finished with bold, playful splashes of glaze that bring contrast and colour to its earthy clay base.
Hand built in warm brown stoneware using the coil technique by Elsa Claesen in Santa Catarina, Portugal, Vase No. 3 Crater embraces sculptural form through its fluid, twisted silhouette, shaped by the natural movement of the hand building process. Finished with a marbled glaze of soft sky blue and butter yellow, the piece reflects Elsa’s interest in colour, organic forms, and the traces left through making.
Hand built in dark brown stoneware using the coil technique by Elsa Claesen in Santa Catarina, Portugal, Vase No. 4 Glacier embraces sculptural form through its glacier inspired silhouette, shaped by the natural movement of the hand building process. Finished with a transparent glaze that highlights the natural colour of the clay alongside a matte light blue glaze, the piece reflects Elsa’s interest in organic forms, colour, and hand built surfaces.
Hand built in dark brown stoneware using the coil technique by Elsa Claesen in Santa Catarina, Portugal, Vase No. 2 Pebble embraces sculptural form through its organic silhouette and hand shaped surface. Finished with bold splashes of cobalt blue glaze that bring contrast to its earthy clay base, the piece reflects Elsa’s interest in colour, irregular forms, and the traces left through hand building.
Hand built in warm brown mid fire stoneware by Elsa Claesen in Santa Catarina, Portugal, Vase No. 5 Cascade explores sculptural form through its irregular, flowing silhouette, shaped to reveal a different angle with each view. Finished with a combination of blue and green reactive glazes, the surface shifts across the form, highlighting the natural movement of the clay and making each piece unique.
Julie Darnat
Julie Darnat is the founder of Mirlo, a botanical skincare studio based in the Loire region of France. Working in small batches using the traditional cold process saponification method, she creates botanical soaps and skincare from carefully selected organic oils, plant infusions, and locally sourced ingredients.
Her practice is rooted in a thoughtful approach to natural materials and traditional craftsmanship, bringing together the richness of plants and the knowledge of working with them. Our selection includes handcrafted botanical soaps, a regenerating face oil, and a soothing balm, all made in her Loire studio.
Location
Loire Region, France
Practice
Botanical skincare and soapmaking
Handmade in the Loire region of France using the traditional cold process saponification method, Cérès combines sweet almond oil, oat milk, and paprika oil infusion. Suitable for the face, body, and hands, it offers a gentle fragrance with notes of fresh shea butter.
The Mini Soap Set brings together the four Mirlo botanical soaps in 50 g formats. Handmade using the traditional cold process saponification method, it offers an introduction to the collection and is suitable for travel, gifting, or everyday use.
Handmade in the Loire region of France using the traditional cold process saponification method, Osanyin combines starflower oil and white clay. Finished with notes of patchouli and bergamot, it is suitable for the face, body, and hands while preserving the natural qualities of its botanical ingredients.
Handmade in the Loire region of France, the Regenerating Face Oil combines three cold pressed botanical oils cultivated in France: borage oil, plum oil, and immortelle flower infused sunflower oil. Formulated for daily use, its lightweight texture is suitable for dry, sensitive, and mature skin.
Handmade in the Loire region of France, the Soothing Balm combines plantago infused oil, hemp oil from the Loire, and locally sourced beeswax. Free from perfume and essential oils, it is a multi purpose botanical balm designed for everyday care.
Handmade in the Loire region of France using the traditional cold process saponification method, Xochipilli combines blue poppy oil and beech charcoal. Scented with cedar and lavandin, it is suitable for the face, body, and hands while preserving the natural qualities of its botanical ingredients.
Anna Kesäniemi
Anna Kesäniemi is a Helsinki based visual artist whose practice moves between ceramics, illustration, textile design, and painting. Guided by colour, pattern, texture, and nature inspired themes, she creates playful and tactile works that balance precision with spontaneity. Working primarily with ceramics, Anna explores how ideas evolve through material, allowing glaze, surface, and form to shape each piece through process and experimentation. Her collection includes ceramic butterfly reliefs made in her Helsinki studio.
Location
Helsinki, Finland
Practice
Ceramics, illustration, textile design and painting
Hand-built in glazed stoneware by Anna Kesäniemi in Helsinki, Butterfly Endless Bloom explores colour, form, and texture through a tactile ceramic surface. Guided by an illustrative and playful visual language, the butterfly relief is shaped and glazed by hand, allowing each detail to evolve through process and experimentation. Created to bring a sense of joy, hope, and lightness, the piece invites a more thoughtful connection to the objects we choose to live with.
Hand-built in glazed stoneware by Anna Kesäniemi in Helsinki, Love in a Mist draws from nature inspired forms and Anna’s intuitive approach to colour and composition. The relief’s hand-finished glaze surface highlights subtle variations in texture and detail, allowing the piece to hold both softness and vibrancy. Created to bring a sense of joy, hope, and lightness, the work offers a tactile and lasting presence shaped through attentive making.
Hand-built in glazed stoneware by Anna Kesäniemi in Helsinki, Side by Side reflects the artist’s interest in colour, pattern, and the expressive possibilities of clay. Through layered glaze details and a carefully shaped surface, the butterfly relief balances precision with spontaneity, creating a piece that feels both playful and tactile. Created to bring a sense of joy, hope, and lightness, each singular work carries its own quiet presence.
Hand-built in glazed stoneware by Anna Kesäniemi in Helsinki, Miss Sunshine explores colour, texture, and playful composition through an illustrative ceramic language. Shaped and finished by hand, the butterfly relief combines detailed glaze work with tactile surface variations, allowing light and colour to shift across the piece. Created to bring a sense of joy, hope, and lightness, the work invites a more thoughtful connection to the objects we choose to live with.
Isabel Ríos
Isabel Ríos is a Bolivian textile artist based in Barcelona. Her practice centres on handmade tapestry, where making becomes a space for reflection, rhythm, and care. Shaped by her background in graphic design and fashion, she explores repetition, natural fibres, and gesture through an intuitive approach rooted in patience and attention.
Her work brings together natural materials and the rhythm of hand weaving, creating textile pieces shaped by process, memory, and gesture. Our selection includes woven wall pieces and textile works made in her Barcelona studio.
Location
Barcelona, Spain
Practice
Textiles and tapestry
Handwoven in Barcelona by Isabel Ríos, this series explores the encounter between paper and textile. Developed from handmade paper collages, each composition is carefully translated into woven form. Crafted in natural fibers, the work reinterprets the torn edges and textures of paper through thread, allowing the surface to hold both irregularity and precision.
Handwoven in Barcelona by Isabel Ríos, this series explores the encounter between paper and textile. Starting from handmade paper collages, each composition is carefully translated into woven form. Crafted in natural fibers, the work reinterprets the torn edges and textures of paper through thread, allowing the surface to hold both irregularity and precision.
Handwoven in Barcelona by Isabel Ríos, this series brings together naturally dyed yarns and fibers gathered through different journeys. Each composition unfolds vertically through stacked forms, where familiar shapes appear and then shift. Crafted in natural fibers, the work invites a quiet reading that moves between possibilities without settling.
Handwoven in Barcelona by Isabel Ríos, this series brings together naturally dyed yarns and fibers gathered through different journeys. Each composition unfolds vertically through stacked forms, where familiar shapes appear and then shift. Crafted in natural fibers, the work invites a quiet reading that moves between possibilities without settling.
Handwoven in Barcelona by Isabel Ríos, this series brings together naturally dyed yarns and fibers gathered through different journeys. Each composition unfolds vertically through stacked forms, where familiar shapes appear and then shift. Crafted in natural fibers, the work invites a quiet reading that moves between possibilities without settling.
Handwoven in Barcelona by Isabel Ríos, this piece is made with hand dyed 100 percent merino wool. Rooted in the landscapes of La Paz where she grew up, its composition echoes mountainous forms, translating memory and territory into textile.
Rachel Sellem
Rachel Sellem is a ceramic artist based in Amsterdam. Her practice balances precision with an openness to the material, allowing clay to retain its own character while each piece is shaped with intention.
Through her work, she explores the relationship between skill, curiosity, and the tactile qualities of clay. Our selection includes ceramic cups, bowls, and plates made in her Amsterdam studio.
Location
Amsterdam, The Netherlands
Practice
Ceramics
Handcrafted in Amsterdam by Rachel Sellem, Dots Bowl is made of stoneware with oxide and underglaze pencil. Balancing precision with openness, Rachel’s work lets the material speak for itself, embodying a spirit of freedom in form and detail.
Handcrafted in Amsterdam by Rachel Sellem, the Tumbler Blue Dot cup is made from stoneware and oxide. Balancing precision with openness, Rachel’s work lets the material speak for itself, embodying a spirit of freedom in form and detail.
Handcrafted in Amsterdam by Rachel Sellem, Dots Plate Small is made of stoneware with oxide and underglaze pencil. Balancing precision with openness, Rachel’s work lets the material speak for itself, embodying a spirit of freedom in form and detail.
Handcrafted in Amsterdam by Rachel Sellem, Large Cup is made of stoneware with oxide and underglaze pencil. Balancing precision with openness, Rachel’s work lets the material speak for itself, embodying a spirit of freedom in form and detail.
Handcrafted in Amsterdam by Rachel Sellem, Stripy Plate is made of stoneware with oxide. Balancing precision with openness, Rachel’s work lets the material speak for itself, embodying a spirit of freedom in form and detail.
Handcrafted in Amsterdam by Rachel Sellem, Dots Plate Large is made of stoneware with oxide and underglaze pencil. Balancing precision with openness, Rachel’s work lets the material speak for itself, embodying a spirit of freedom in form and detail.
Jessica Tremaine
Jessica Tremaine is a Cornish artist based in Penzance, UK. After years working in fashion and design, she turned to ceramics to develop a more personal and material led form of storytelling. Her work brings together references to spirituality, industrial history, and collective rituals through expressive sculptural forms. Her collection includes ceramic vases, candlesticks, and incense holders made in her Penzance studio.
Location
Penzance, UK
Practice
Ceramics
Hand built in stoneware the Stained Altar Vase is made by Jessica Tremaine in Penzance in the UK. Finished with a soft red glaze and defined by a structured symmetrical form the piece sits between vessel and sculptural object. It can be displayed on its own as an art piece or used as a vase.
Hand built in stoneware the Rays Blood Brush Candlestick is made by Jessica Tremaine in Penzance in the UK. Shaped with a radiating symmetrical form and finished with a bloodbrush glaze the piece draws on references to ritual objects. It can be displayed on its own as a sculptural object or used as a functional candlestick.
Hand built in stoneware the Oolong Incense Holder is made by Jessica Tremaine in Penzance in the UK. Shaped with an open organic form and finished with an oolong glaze the piece reflects her interest in ritual use and symbolic objects. Designed for functional purpose while remaining sculptural in presence. Made to order.
Hand built in stoneware the Lamb Incense Holder is made by Jessica Tremaine in Penzance in the UK. Finished with a lamb glaze and shaped with a simple open form the piece reflects her interest in ritual objects and restrained function. Designed for functional purpose while remaining sculptural in presence.
Elin Hughes
lin Hughes is a potter based at the edge of Dartmoor in South West England. Working with porcelain and stoneware, her practice explores atmospheric firing through wood and gas techniques that leave gentle traces of flame, slip, and gesture on each surface. Her work combines soft forms with subtle repetitive patterns, creating pieces that feel grounded, warm, and quietly tactile. Her collection includes ceramic jars, teapots, trays, and vases made in her Dartmoor studio.
Location
Dartmoor, UK
Practice
Ceramics
Hand thrown in porcelain, the Orange Vase is made by Elin in Dartmoor, South West England. Wood fired with flashing slip and a chun liner glaze, and fired in reduction to 1300C, the surface carries soft tonal shifts shaped by flame and atmosphere. The gentle form and layered markings reflect Elin’s sensitivity to process and material.
Hand thrown in stoneware, the Teapot for One is made by Elin Hughes in Dartmoor, South West England. Wood fired with a shino glaze and fired in reduction to 1300C, the piece combines a quiet, functional form with subtle surface variation. Designed for intimate daily ritual, it holds warmth, balance, and the trace of its making.
Hand thrown in stoneware, the Wave Tray is made by Elin in Dartmoor, South West England. Wood fired with high iron slip and a shino glaze, and fired in reduction to 1300C, the surface reveals depth and movement shaped by fire. Its soft wave like form and tactile finish invite use, touch, and a slower engagement with everyday objects.
Hand thrown in porcelain, the Orange Lidded Jar is made by Elin in Dartmoor, South West England. Wood fired with flashing slip and a shino liner glaze, the piece is fired in reduction to 1300C, allowing flame paths and surface markings to emerge naturally through the firing process. Its soft, functional form carries subtle variations in tone and texture, reflecting Elin’s attentive approach to material, atmosphere, and the quiet presence of objects shaped by fire and time.
Blue Firth
Blue Firth is a ceramic artist based in Nottingham, UK, whose practice draws from folklore, myth, witchcraft, and ancestral traditions. Working primarily with stoneware, she creates objects that bring together storytelling, memory, and material exploration. Her collection includes wheel thrown stoneware tableware featuring glazes inspired by kingfishers, chequered motifs, and diamond patterns.
Location
Nottingham, UK
Practice
Ceramics
Hand thrown in buff stoneware by Blue Firth in Nottingham, UK, the Cawley Dish features a distinctive chequered pattern glaze. The interplay of colour and repetition creates a surface that draws attention to the handmade nature of the piece.
Hand thrown in buff stoneware by Blue Firth in Nottingham, UK, the Harlequin Cup features a diamond pattern glaze beneath a transparent finish. Pattern and surface come together to create a piece that celebrates the expressive possibilities of clay and glaze.
Hand thrown in buff stoneware by Blue Firth in Nottingham, UK, the Kingfisher Plate features a mix of exterior glazes reminiscent of a kingfisher. Available in two forms, with cut outs or as an octagon, it highlights the relationship between glaze, form, and the natural warmth of buff stoneware.
Hand thrown in buff stoneware by Blue Firth in Nottingham, UK, the Kingfisher Mug features a mix of exterior glazes reminiscent of a kingfisher. Finished with a clear liner glaze inside, it explores colour and surface through layered glazes that shift subtly across the clay body.
Daisy Eltenton
Daisy Eltenton is a ceramic artist based in Tomar, Portugal. Through ceramics, photography, and drawing, her practice explores how objects shape daily life and influence the atmosphere of the spaces we inhabit. Working with emotion, form, and presence, she creates pieces that invite a more attentive relationship with everyday objects. Her collection includes ceramic vases and lamps made in her Tomar studio.
Location
Tomar, Portugal
Practice
Ceramics, photography and drawing
Handcrafted in Tomar, Portugal by Daisy Eltenton, this unique stoneware vase was fired at 1260ºC with slips and matte glazes created by the artist as part of the Redux series.
Handcrafted in Tomar, Portugal by Daisy Eltenton, this singular stoneware vase was fired at 1260ºC with matte and crater glazes created by the artist as part of the Redux series.
Handcrafted in Tomar, Portugal by Daisy Eltenton, this stoneware vase was fired at 1260ºC with schist rocks and matte glazes created by the artist as part of the Redux series.
Handcrafted in Tomar, Portugal by Daisy Eltenton, this distinctive stoneware vase was fired at 1260ºC and finished with glazes created by the artist.
Handcrafted in Tomar, Portugal by Daisy Eltenton, this unique stoneware vase was fired at 1260ºC and finished with a variation of glazes made by the artist. The base remains open to allow for the installation of electrical fittings.
Handcrafted in stoneware and fired at 1280ºC, this one-of-a-kind vase was crafted by Daisy Eltenton in Tomar, Portugal. Part of her Interconnected series, exploring slab built vases, bonded by a variation of coils.
Caitlin Hinshelwood
Caitlin Hinshelwood is a London based artist and designer known for her hand worked, printed, and stitched textiles. Blending illustration, colour, and craft, her work combines traditional screen printing and dyeing techniques with a strong attention to material and detail. Through her tactile approach to textile making, she creates pieces that carry both warmth and visual presence. Her collection includes textile wall pieces and cushions made in her London studio.
Location
London, UK
Practice
Textiles, screen printing and dyeing
Handcrafted in the UK by Caitlin Hinshelwood, the Freedom Blanket is a hand screen-printed and embroidered piece that can be used as a blanket or wall hanging. Using the kite as a symbol of freedom, silk patches—hand-dyed, printed, and appliquéd onto thick dark grey wool—are framed with multicoloured linen edging and finished with hand-embroidered motifs and wool felt details.
Handcrafted in the UK by Caitlin Hinshelwood, this hand screen printed silk banner with wool felt appliqué carries the story of a horseback journey to Volcán Parícutin in Mexico. Each silk element is hand dyed, adding gentle shifts of colour that echo the landscape. Designed as a unique wall piece, it is finished with cotton taping loops for hanging and pin hemmed edges.
Handcrafted in the UK by Caitlin Hinshelwood, this cushion features a wool appliqué frog motif on hand-dyed Fuji silk. A piece that carries a clear visual language and a thoughtful use of materials offering a distinct and steady presence within a space.
Handcrafted in the UK by Caitlin Hinshelwood, this cushion features a wool appliqué moth motif on hand-dyed Fuji silk. A piece that carries a clear visual language and a thoughtful use of materials offering a distinct and steady presence within a space.
Ioulia Chante
Ioulia Chante is a Greek architect and ceramicist based in Malta, and the founder of Babau Ceramics. Working across wheel throwing and sculpture, her practice explores zoomorphic forms inspired by myth, emotion, and storytelling. Her collection includes ceramic vessels, candleholders, and diffusers made in her Malta studio, each shaped with a playful sculptural presence.
Location
Malta
Practice
Ceramics, sculpture and architecture
Wheel thrown and hand sculpted in stoneware pigmented with iron oxide, Ranunculus is made by Ioulia Chante in Malta. Blending frog and plant forms, the piece takes on a surreal presence while functioning as a candle holder. Hand painted with pigmented slips and subtly spray glazed in a glossy transparent finish, it is fired at 1260ºC, creating a surface where form, colour, and imagination come together.
Each singular work carries its own provenance and the distinct voice of the crafter.
Wheel thrown and hand sculpted in pigmented iron oxide stoneware, Blaze is made by Ioulia Chante in Malta. Positioned between sculpture and function, the piece explores suppressed and unexpressed emotions through a form that contrasts with its role as a scented diffuser. Selected areas are glazed and the surface is semi burnished with a brush, then fired at 1260ºC, creating a balance between intensity, texture, and presence.
Each singular work carries its own provenance and the distinct voice of the crafter.
Wheel thrown and hand sculpted in white stoneware mixed with stainless steel residue flakes, Ramaria is made by Ioulia Chante in Malta. Inspired by fungal forms, the piece develops an organic, branching presence through its sculptural surface. Finished with a double layer of matte chrome and transparent glaze and fired at 1260ºC, it carries a subtle interplay between texture, light, and material transformation.
Each singular work carries its own provenance and the distinct voice of the crafter.
Wheel thrown and hand sculpted in white stoneware, Estuary is made by Ioulia Chante in Malta. The amphora form is complemented by handles shaped as seahorses, drawing on the flowing elements and creatures of reefs and rivers. Finished in a matte pale green grey glaze and fired at 1260ºC, the piece carries a quiet balance between playfulness and natural form.
Each singular work carries its own provenance and the distinct voice of the crafter.
Gabriela Bins
Gabriela Bins is a Brazilian designer and artist based in Portugal whose ceramic practice explores the relationship between form, texture, and the atmosphere objects create within a space. Guided by an interest in material presence and traditional making techniques, her work examines how weight, surface, and proportion shape our experience of everyday objects. Working primarily through hand building and carving from solid masses of clay, Gabriela creates sculptural pieces where traces of cutting, shaping, and material remain visible. Her collection includes bowls, candle holders, and chalices crafted in chamotte clay, where textured surfaces and elevated forms give each object a distinct physical presence.
Location
Lisbon, Portugal
Practice
Ceramics, design and sculpture
Hand built in sandstone clay, this set of two candle holders is made by Gabriela Bins in Lisbon, Portugal. Finished in an opaque white glaze over a light brown clay body, the pieces show cuts and surface variations shaped by the hand.
Hand built in chamote brown sandstone clay, this triple candle holder is made by Gabriela Bins in Lisbon, Portugal. The piece is finished in a sand color glaze that highlights the rugged texture of the clay and the marks from the hand-carving process. Its elevated, sculptural form gives the piece a strong, organic presence.
Hand built in chamote light brown sandstone clay, these candle holders are made by Gabriela Bins in Lisbon, Portugal. Finished in a matte white glaze, the surface reveals the rugged texture of the clay and the marks of cutting and shaping. The robust, faceted form gives the pieces a clear, earthy presence.
Hand built in white chamotte sandstone, this candle holder is made by Gabriela Bins in Lisbon, Portugal. Finished in a matte white glaze, the surface reveals the texture of the clay and the marks of cutting and shaping. Its elevated, sculptural form gives the piece a clear presence.
Raphaëlle Doineau
Raphaëlle Doineau is a textile artist based in Brussels, born in Paris. Through hand sewn patchwork quilts, her practice approaches textile as a form of drawing, exploring colour, shape, and touch through intuitive compositions. Working with subtle tonal relationships and organic forms, she creates thoughtful textile pieces that balance softness, rhythm, and material presence. Her collection includes handcrafted patchwork quilts made in her Brussels studio.
Location
Brussels, Belgium
Practice
Textiles and patchwork
Hand sewn by Raphaëlle Doineau in Brussels. Composed through an intuitive patchwork process, the quilt unfolds like a textile drawing, where pieces of fabric come together to form a quiet, organic composition. Layers of pink, green, yellow, and purple create gentle colour relationships across the surface. It reflects Raphaëlle’s thoughtful approach to colour, composition, and the expressive possibilities of cloth. A standalone original.
Hand sewn by Raphaëlle Doineau in Brussels. Composed through an intuitive patchwork process, the quilt unfolds like a textile drawing, where pieces of fabric come together to form a quiet, organic composition. Layers of pink, green, orange, and ochre create gentle colour relationships across the surface. It reflects Raphaëlle’s thoughtful approach to colour, composition, and the expressive possibilities of cloth. A standalone original.
Hand sewn by Raphaëlle Doineau in Brussels. Composed through an intuitive patchwork process, the quilt unfolds like a textile drawing, where pieces of fabric come together to form a quiet, organic composition. Layers of light blue, dark purple, green, purple back peacock green create gentle colour relationships across the surface. It reflects Raphaëlle’s thoughtful approach to colour, composition, and the expressive possibilities of cloth. A standalone original.
Hand sewn by Raphaëlle Doineau in Brussels. Composed through an intuitive patchwork process, the quilt unfolds like a textile drawing, where pieces of fabric come together to form a quiet, organic composition. Layers of light blue, dark blue, burgundy, light green back light blue create gentle colour relationships across the surface. It reflects Raphaëlle’s thoughtful approach to colour, composition, and the expressive possibilities of cloth. A standalone original.
Estela Díez
Estela Díez is a Spanish designer and founder of Boombo Studio, originally from Asturias and now based in Madrid. With a background in interior design and scenography, her practice explores composition, material, and visual storytelling through the traditional craft of straw marquetry. Working with rye straw, she creates luminous geometric surfaces that bridge tradition and contemporary expression through slow and attentive making. Her collection includes handcrafted lamps made in her Madrid studio.
Location
Madrid, Spain
Practice
Straw marquetry, design and scenography
Handcrafted by Estela in Madrid, founder of Boombo Studio, the Lamp 01 Pink Red Butter transforms humble rye straw into a vibrant surface of light and colour. Using the technique of straw marquetry, the material is carefully composed into a refined and expressive form.
Each piece is cut and placed by hand, allowing subtle variations in fibre and tone to create a surface that feels alive and gently shifting. When illuminated, the light activates the material, revealing its depth, texture, and natural sheen.
Balancing craftsmanship with contemporary exploration, the lamp offers a new reading of straw, elevating it into a distinctive and expressive object.
Handcrafted by Estela in Madrid, founder of Boombo Studio, the Lamp 01 Pink Green Butter transforms humble rye straw into a vibrant surface of light and colour. Using the technique of straw marquetry, the material is carefully composed into a refined and expressive form.
Each piece is cut and placed by hand, allowing subtle variations in fibre and tone to create a surface that feels alive and gently shifting. When illuminated, the light activates the material, revealing its depth, texture, and natural sheen.
Balancing craftsmanship with contemporary exploration, the lamp offers a new reading of straw, elevating it into a distinctive and expressive object.
Handcrafted by Estela in Madrid, founder of Boombo Studio, the Lamp 02 Purple Green Butter transforms humble rye straw into a vibrant surface of light and colour. Using the technique of straw marquetry, the material is carefully composed into a refined and expressive form.
Each piece is cut and placed by hand, allowing subtle variations in fibre and tone to create a surface that feels alive and gently shifting. When illuminated, the light activates the material, revealing its depth, texture, and natural sheen.
Balancing craftsmanship with contemporary exploration, the lamp offers a new reading of straw, elevating it into a distinctive and expressive object.
Handcrafted by Estela in Madrid, founder of Boombo Studio, the Lamp 02 Burdeos Pink Orange transforms humble rye straw into a vibrant surface of light and colour. Using the technique of straw marquetry, the material is carefully composed into a refined and expressive form.
Each piece is cut and placed by hand, allowing subtle variations in fibre and tone to create a surface that feels alive and gently shifting. When illuminated, the light activates the material, revealing its depth, texture, and natural sheen.
Balancing craftsmanship with contemporary exploration, the lamp offers a new reading of straw, elevating it into a distinctive and expressive object.
Marjorie Broudieu
Marjorie Broudieu is a French ceramic artist and analogue collage maker based in Amsterdam. Her practice explores the space between dreams, emotions, and everyday life through clay. Guided by surrealist thought and intuitive making, she creates hand built ceramic objects where symbolism, sensation, and experimentation come together.
Her work embraces irregularity, hidden narratives, and the beauty of imperfection. Made in her Amsterdam studio, her pieces include mugs, bowls, incense holders, and vide poches, each reflecting her tactile and intuitive approach to clay.
Location
Amsterdam, The Netherlands
Practice
Ceramics and analogue collage
Hand-thrown in stoneware with a hand-built handle, this Flame Mug II is made by Marjorie Broudieu in Amsterdam. Finished in a Whale glaze, this limited series features a deliberate and grounded form with an organic silhouette. Each of the three available mugs has a uniquely sculpted handle, reflecting Broudieu’s intuitive process and interest in Surrealist thought.
Hand-thrown in stoneware with a hand-built handle, the Flame Mug Nimbus is made by Marjorie Broudieu in Amsterdam. Finished in a textured Nimbus glaze on the exterior and a deep cobalt blue within, the piece features a deliberate, grounded form that balances volume with a tactile, compact presence. The organic silhouette and unique handle are informed by Broudieu’s interest in Surrealist thought, inviting a slower pace where daily ritual bridges the gap between reality and the dream.
Wheel-thrown in stoneware with a hand-built handle, the Flame Mug is made by Marjorie Broudieu in Amsterdam. Finished in a warm Toffee glaze, the piece features a deliberate and grounded form with an organic silhouette shaped for the hands. Drawing from Broudieu’s interest in Surrealist thought, the mug brings a tactile presence to a functional object, bridging the gap between daily reality and the dream.
Hand built in stoneware, this vide poche is made by Marjorie Broudieu in Amsterdam. The form is deliberate and grounded, balancing function with an aesthetic inspired by Broudieu’s interest in Surrealist thought. Designed as a quiet resting place for jewelry and small daily objects.
Hand-built in stoneware, this incense holder is made by Marjorie Broudieu in Amsterdam. Finished in the Whale glaze, the piece holds a restrained palette and a quiet spiral at its centre. The form is deliberate and grounded, balancing function with an aesthetic inspired by Broudieu’s interest in Surrealist thought. Designed for burning incense.
Hand-thrown in stoneware, this bowl is made by Marjorie Broudieu in Amsterdam. Finished in either a warm Toffee or clean White glaze, the piece features a deliberate and grounded form that balances volume with a tactile presence.
Hand-thrown in stoneware, this Spiral bowl is made by Marjorie Broudieu in Amsterdam. Finished in a warm Dulce de leche glaze, the piece holds a gentle spiral, balancing volume with a tactile, compact presence. The form is informed by Broudieu’s interest in Surrealist thought, inviting a slower pace where daily ritual bridges the gap between reality and the dream.