Orange Lidded Jar 5 Elin Hughes.jpg
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Orange Lidded Jar 5 Elin Hughes.jpg
Orange Lidded Jar 1 Elin Hughes.jpg
Orange Lidded Jar 2 Elin Hughes.jpg
Orange Lidded Jar 3 Elin Hughes.jpg
Orange Lidded Jar 4 Elin Hughes.jpg
Orange Lidded Jar 6 Elin Hughes.jpg

Orange Lidded Jar

€100.00

Hand thrown in porcelain, the Orange Lidded Jar is made by Elin in Dartmoor, South West England. Wood fired with flashing slip and a shino liner glaze, the piece is fired in reduction to 1300C, allowing flame paths and surface markings to emerge naturally through the firing process. Its soft, functional form carries subtle variations in tone and texture, reflecting Elin’s attentive approach to material, atmosphere, and the quiet presence of objects shaped by fire and time.

Hand thrown in porcelain, the Orange Lidded Jar is made by Elin in Dartmoor, South West England. Wood fired with flashing slip and a shino liner glaze, the piece is fired in reduction to 1300C, allowing flame paths and surface markings to emerge naturally through the firing process. Its soft, functional form carries subtle variations in tone and texture, reflecting Elin’s attentive approach to material, atmosphere, and the quiet presence of objects shaped by fire and time.

 

  • Dimensions approx. 14 × 12 × 12 cm. Weight approx. 900 g.

  • Shipped from: UK

    Delivery times vary by region, typically 3 to 6 days for United Kingdom, and 5 to 10 days for Europe.

    Customs

    For customers outside the United Kingdom, any customs duties or import taxes are the responsibility of the customer. These charges are not included in the final product price and depend on the customs policies of the destination country.

    Delivery Information

    When you place your order, we will send you an email with the estimated delivery date and tracking number. We work with DHL and FedEx.

  • Elin is a potter based at Kigbeare Studios on the edge of Dartmoor, Devon. Working with porcelain and stoneware, she creates functional objects shaped by wood and gas firing. Her practice explores flame marks, surface layering, and subtle hand made traces, resulting in soft forms with quiet depth and a sense of warmth and intimacy. Read our interview with her.