Ceramics
Maud Timmermans · Rotterdam
Maud Timmermans is an artist and ceramicist based in Rotterdam and the founder of TIMM ceramics. Working across ceramics, woodworking, and object design, her practice explores the relationship between people and everyday objects, drawing attention back to material, process, and the traces left by the maker’s hand.
With a background in product design and a practice rooted in craft, Maud approaches making as a way to question how objects are produced, used, and valued. Through ceramics, she explores repetition, technical challenges, and subtle variations that reveal the time and attention behind handmade work. Alongside clay, her interest in woodworking and textiles often enters her practice, creating objects that move between function, play, and sculptural form.
Our selection brings together ceramic cylinders, handcrafted checkers, ceramic Tangrams, and wall pieces that reflect Maud’s approach to materials, process, and object making.
Hand built in glazed stoneware by Maud Timmermans in Rotterdam, the Red Ceramic Checkerboard Set brings together play, craftsmanship, and material exploration through ceramics, woodworking, and textiles. Combining ceramic playing pieces, a glazed board, an oak frame, and a handmade cotton bag, the piece reflects Maud’s interest in everyday objects and the ways we connect with them through touch, attention, and shared moments.
Hand built in glazed stoneware by Maud Timmermans in Rotterdam, the Green Ceramic Checkerboard Set brings together play, craftsmanship, and material exploration through ceramics, woodworking, and textiles. Combining ceramic playing pieces, a glazed board, an oak frame, and a handmade cotton bag, the piece reflects Maud’s interest in everyday objects and the ways we connect with them through touch, attention, and shared moments.
Hand built in glazed stoneware by Maud Timmermans in Rotterdam, the Tangram series brings together geometry, play, and material exploration through handcrafted ceramic forms. Shaped and glazed by hand and paired with handmade linen bags, the sets reimagine a familiar game as tactile objects that invite slower moments of interaction and a closer connection to material, process, and touch.
Hand built in glazed stoneware by Maud Timmermans in Rotterdam, the Tangram series brings together geometry, play, and material exploration through handcrafted ceramic forms. Shaped and glazed by hand and paired with handmade linen bags, the sets reimagine a familiar game as tactile objects that invite slower moments of interaction and a closer connection to material, process, and touch.
Hand built in glazed stoneware by Maud Timmermans in Rotterdam, the Tangram series brings together geometry, play, and material exploration through handcrafted ceramic forms. Shaped and glazed by hand and paired with handmade linen bags, the sets reimagine a familiar game as tactile objects that invite slower moments of interaction and a closer connection to material, process, and touch.
Hand built in glazed stoneware by Maud Timmermans in Rotterdam, the Tangram series brings together geometry, play, and material exploration through handcrafted ceramic forms. Shaped and glazed by hand and paired with handmade linen bags, the sets reimagine a familiar game as tactile objects that invite slower moments of interaction and a closer connection to material, process, and touch.
Hand built in glazed stoneware by Maud Timmermans in Rotterdam, the Tangram series brings together geometry, play, and material exploration through handcrafted ceramic forms. Shaped and glazed by hand and paired with handmade linen bags, the sets reimagine a familiar game as tactile objects that invite slower moments of interaction and a closer connection to material, process, and touch.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in porcelain by Maud Timmermans in Rotterdam, the Tribute to Craftsmanship series explores the learning process behind pottery and the traces left through repetition and practice. Developed through 50 cylinders thrown using the same amount of porcelain and the same starting diameter, each piece reveals small variations in height, thickness, and form as skill develops over time. Numbered and signed, the series brings attention to the persistence, failures, and accumulated knowledge often hidden behind handmade work.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.
Wheel thrown in stoneware and decorated with terra sigillata by Maud Timmermans and Samantha Thole, these collaborative wall bowls explore ceramic surfaces through illustration and handcrafted process. Designed to hang on the wall through a wire loop integrated into the foot, each piece combines wheel thrown forms with hand applied imagery, shifting the bowl from a functional object into a piece made for display and observation.